Subject area Music Studies

Subject area

The programme area of musicology at Ergon Verlag is primarily dedicated to the subject area of music aesthetics. Innovative research works are published that present music and its perception as cultural-historical phenomena and deal with its various manifestations in the context of social and historical processes. Sequi: Historical Performance Practice.

Musica Aesthetica

In the publications of the series Musica Aesthetica, musical and music-historical phenomena are examined from inter- or transdisciplinary perspectives. The focus is not exclusively on one instrument, one composition, one genre, or one type of performance practice; rather, the overarching cultural-historical, social, political, and cultic contexts are also considered. The insights thus gained aim at a re-evaluation of the respective object under investigation and should not only have theoretical value in the musicological sense but should also be able to gain significance for a differentiated approach to artistic interpretation. In the foreground, therefore, is always the interaction of theory and practice of music regarding an aesthetic immanent to the respective work of art or art form and its processuality in the change of contemporary historical circumstances. The results obtained from objective facts and their analysis claim equal relevance for the scientific and for the musical events of the present. The publications of this series are addressed to scholars, performers and interested music lovers.

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Musikforschung der Hochschule der Künste Bern

Edited by Martin Skamletz, Thomas Gartmann and Daniel Allenbach

Diese Schriftenreihe dokumentiert die Aktivitäten im Bereich der Musikforschung am Institut Interpretation der Hochschule der Künste Bern und spiegelt ihre große thematische Vielfalt wider. Die Untersuchungsgegenstände reichen von Streichinstrumenten des Mittelalters bis zum zeitgenössischen Musiktheater, mit einem Schwerpunkt auf Interpretationsfragen in Musik und Theater des 19. Jahrhunderts. Die Beschäftigung mit historischen Blasinstrumenten bildet ebenso einen wiederkehrenden Fokus wie musiktheoretische Fragestellungen. Meist ausgehend von an der Hochschule angesiedelten Drittmittelprojekten und den aus diesen resultierenden Symposien erscheinen in der Reihe thematisch kuratierte Sammelbände, die die Erkenntnisse der an den Projekten beteiligten Forschenden im Dialog mit Beiträgen von internationalen Expertinnen und Experten präsentieren.

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